The podcast is coming from inside the radio! Throughout August, Poetry Says will become part of Red Room’s inaugural Poetry Month. Across four episodes broadcast around the country via the Community Radio Network, I’ll be talking to the Red Room team, and a selection of special guests…
In the meantime, if you miss your fortnightly Poetry Says updates, don’t forget you can always dive into podcasts like:
A conversation with my friend and co-producer, Shane Henry, about white-knuckling it through poetry open mics, learning a new art form, building something from the ground up, waiting, and a 2003 indie rock album called The Meadowlands.
It was a joy to speak with Thuy On about Turbulence, her 2020 collection from UWAP cataloguing heartbreak, passion, loss and pleasure. She talks about writing the book in a ‘wild gush’, the mechanics of getting it edited and published, how poets around her have supported her work, and what she really thinks when she opens up a contemporary Aussie literary journal.
Ella O’Keefe‘s poetry works with ‘the grit and offcuts we collect in the course of living’. With her new book Slowlier just out from Cordite Books, we talk about how she puts her poems together, whether experimental work can be fun and/or personal, how slowness is different from mindfulness, and what it was like to launch a book in Melbourne in early 2021.
alkaway, winner of the 2016 Judith Wright Poetry Prize
For the past five weeks I’ve had the pleasure of studying the sonnet with a fabulous group of poets, led by Joshua Mehigan, in a weekly workshop through Brooklyn Poets. Here are some thoughts on the benefits (and challenges) of diving into a poetry workshop.
Where to begin summarising the work of Christian Bök? He’s a Canadian poet, the author of the bestselling experimental poetry collection Eunoia, a founder of the poetic school of Conceptualism, and most recently, Professor in Creative Writing at the University of Melbourne. In this interview Christian talks about what it’s been like to move between poetry worlds over the years, where he’s at with his mammoth project The Xenotext, elements of playfulness versus priestliness in poetry, work he’s envious of, and the moon landing.
Open Bella Li’s collections Argosy or Lost Lake and you’ll immediately be struck by the beauty of her imagery. In this chat, recorded on a rainy Melbourne afternoon, I check in with Bella after the year that was. We discuss how and why she works with the materials she does, her relationships to both poetry and genre, and get a sneak preview of her new collection.