Ep 57. Auden’s secret Berlin Journal and poems that fall apart

I’ve been trying to write a poem in response to Auden for about four years. It’s not going well. So I thought I’d talk to you about the ideas I’m trying to grapple with.

Show notes

Ep 56. Getting published.

Past guest Sean Wright joins us again this week to talk about the process of getting his first collection published (!) along with navigating the world of poetry journals. How do you know where to send work? What do you say when you do? We don’t have all the answers but these are our tips on making it out of the slush pile.

Publishers and journals mentioned (by no means exhaustive):
Resources that can help (or cause a meta-fiddling addiction):

 

Ep 55. Ashbery’s autobiography (in 14 lines)

Ashbery’s poem ‘Your name here’ has been pinned up in my office for almost a decade now. Reading it again in light of his passing, I saw another element of the poem I’d never noticed before.

Show notes

Ep 54. Alistair Baldwin on comedy, permission and Milligan

Can poets learn something from the world of improv? After chatting with Alistair Baldwin I’m more convinced than ever that the best elements of poetry and comedy are basically aligned. This episode is also for you if you’ve ever hit a wall writing that dreaded 100-word bio…

Show notes

Ep 53. Steve Wasserman on Wallace Stevens and poetic medicine

UK-based psychotherapist Steve Wasserman sees poetry as having a kind of medicinal power, especially when memorised. We chat about using memorisation to step outside the churn of the mind, then Steve recites the very tricky Wallace Stevens poem Final Soliloquy of the Interior Paramour (newly memorised!).

Show notes

Ep 52. Inside a poetry workshop

Would you let a mic into your poetry workshop?

Sydney poets Benjamin Dodds and Mran-Maree Laing were brave enough to let me record while we workshopped three unpublished poems. We wanted to show what the workshop process can be like for those who might feel intimidated by the idea. I think the result is pretty representative of what a top-notch workshop can do for a poem. It was such a pleasure to share work with these two fantastic writers!