This week I got to talk with Lisa Brockwell about three poems that play with the theme of ‘the girl in the poet and the poet in the girl’. We also cover why it’s important to keep reading even when the poems go quiet, the question of poetry ‘scenes’ and, importantly, HBO’s Looking.
This week’s poems:
- Glamourie by Kathleen Jamie fromher book The Overhaul, published by Picador.
- Caesarea by Dorothy Porter from The Bee Hut, published by Black Inc.
- Ode to snow falling on the YWCA, Kemplay Road from Lisa’s new book Earth Girls, published by Pitt Street Poetry.
This week I make a case for the short WWI poem Adelstrop by Edward Thomas. Then things get a little experimental as I try to answer the question: How does this poem operate in 2016? (Mild spoilers towards the end for Helen Macdonald’s beautiful memoir H is for Hawk.)
If you’re keen to go deeper into this type of poetry you can find the free lectures I’m talking about at Open Yale Courses. (Langdon Hammer is the charming English literature professor you never had.)
Today Robbie tells us his own story, from his first publication in Pi O’s Unusual Work to his recent appearance in Poetry magazine. The poem we dive into this week is High Windows by Phillip Larkin, followed by a sneak peak of Robbie’s forthcoming book, The Other Flesh.
In today’s bumper episode I get to have an in-depth chat with Queensland-based poet Stuart Barnes. We cover how he came to poetry through none other than Tasmanian poet Gwen Harwood, then dive into Sylvia Plath’s poem Ariel. We also talk about the art of the remix poem, how to write a cento, and the upcoming launch of Stu’s first book, Glasshouses, out from University of Queensland Press.
In this episode: